Disco. Funk. Crunk. PUNK. What is the theory behind Lil’ Jon’s “Yea!” … Lil’ Jon’s “Okay!” … Lil’ Jon’s “What!” … The theory is as follows: no theory allowed. Lil’ Jon’s “Yea” escapes theory as an attempt to generalize the thing into a homogenous whole. Difference and repetition. Repetition that unveils difference without end. Untranslatable […]Read More outside of theory. pontifications.
The Social Sculpting of the “Humans of Museums” (Paper and Photography Presented at Pomona College on Wednesday, November 6th 2019) The German artist, Josef Beuys, was a Fluxus performance artist in the 20th Century. Commonly regarded as one of the most prolific and influential artist of the century, when he arrived in America for the […]Read More The Social Sculpting of the “Humans of Museums”
I am also trying to think carefully about the ways that signifiers of Black femininity gesture toward an excess that is not a subjectivity or desire or a liberating promise we can know in advance but a virtuality that is indeterminate and without guarantees. – Zakiyyah Jackson % We fear the story that aesthetics […]Read More F A S H I O N
Die Lit, or the art of being ontological terror (Paper Presented at Global Debate Symposium in the Kritikal Lab, July 7th, 2019) I don’t usually like to reflect on my writing for a public audience. I find in every reflection I place the words of who I once was into the context and constellation of […]Read More Die Lit, or the art of being ontological terror